With the advent of the Internet, slash fiction writers created mailing lists which gradually took the place of amateur press associations (APA), and websites such as FanFiction.Net (which gradually started taking the place of zines).įorum boards and message boards were active during the first half of the first decade of the millennium, and sites such as Angelfire, Geocities, and ProBoards were quite successful. It was published only in fan-edited non-profit fanzines (often called only "zines"), which were usually priced just high enough to recoup printing costs, and were sold via adzines or at conventions. Until the Internet became accessible to the general public in the early 1990s, slash was hard to find. Some slash fiction readers and writers tend to adhere closely to the canonical source of their fiction, while other participants may follow the slash content without being fans of the original source material itself. There is some correlation between the popularity and activity of each variety of slash fiction and those of the source of the material. Slash fiction follows popular media, and new stories are constantly produced. However, other large bodies of slash fiction, such as Starsky and Hutch or The Professionals, are based on non-speculative sources. Slash sources įrom its earliest days, slash fiction has been particularly inspired by popular speculative fiction franchises, possibly because speculative fiction may lack well-developed female characters or because the speculative elements allow greater freedom to reinterpret canon characters. Star Trek slash fiction remained important to fans, while new slash fiction grew up around other television shows, movies, and books with sci-fi or action-adventure roots.Įarly slash fans in England feared that they would be arrested, because slash violated the obscenity laws there at the time. Greater subsequent tolerance and acceptance of homosexuality and increased frustration with the portrayal of gay relationships in mainstream media fed a growing desire in authors to explore the subjects on their own terms, using established media characters. Later, authors such as Joanna Russ studied and reviewed the phenomenon in essays and gave the genre some academic respectability. The first K/S stories were not immediately accepted by all Star Trek fans. Many early slash stories were based on a pairing of two close friends, a "hero dyad", or "One True Pairing", such as Kirk/Spock or Starsky/Hutch conversely, a classic pairing between foils was that of Blake/ Avon from Blake's 7. Slash later spread to other fan groups, first Starsky and Hutch, Blake's 7, and The Professionals, then many others, eventually creating a fandom based on the concept of slash. For a time, both slash and K/S (for "Kirk/Spock") were used interchangeably. The name arises from the use of the slash symbol (/) in mentions in the late '70s of K/S (meaning stories where Kirk and Spock had a romantic relationship), as compared to the ampersand (&) conventionally used for K&S or Kirk and Spock friendship fiction. It is commonly believed that slash fan fiction originated during the late 1970s, within the Star Trek: The Original Series fan fiction fandom, starting with " Kirk/Spock" stories generally authored by female fans of the series. These fan-written stories are not accepted canon, and the characters are usually not engaged in such relationships in their respective fictional universes. Many fans distinguish slash with female characters as a separate genre, commonly referred to as femslash (also known as "f/f slash" or "femmeslash"). While the term "slash" originally referred only to stories in which male characters are involved in an explicit sexual relationship as a primary plot element, it is now also used to refer to any fan story containing a romantic pairing between same-sex characters. Slash fiction (also known as "m/m slash" or slashfic) is a genre of fan fiction that focuses on romantic or sexual relationships between fictional characters of the same sex.
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